As the last of the Newport cabinetmakers, Jeffrey Greene takes the work of continuing the tradition of Goddard and Townsend craftsmanship very seriously. This boils down to two areas of focus: craftsmanship and authenticity. 

The Goddard and Townsend cabinetmakers were renowned for their exemplary craftsmanship. There is only one way to continue that tradition, and that is to follow their 18^th-century shop practices and do every step by hand. Surfaces are shaped, planed and scraped by hand, all dovetails are marked, cut, and fitted by hand, and all carving is done by hand, with mallet and chisel. It is laborious, but there is not a modern method that can achieve the detail these pieces deserve, and Greene is not interested in compromising the result for the sake of expediency. There are plenty of people willing to cut corners and Greene’s work stands out because he does not. 

Authenticity means accuracy in detail as well as overall design. The Newport craftsmen of the 18^th century used methods of construction that were unique to Newport, and individual styles of construction and detail as well. To work in their tradition requires that cases and drawers be constructed in the original Newport manner, and that their individual styles of joinery and carving be followed. To abandon the Newport construction methods and replace them with 21^st-century construction would compromise the pieces beyond recognition. There is more than enough manufactured furniture available already. 

The 18^th-century Newport makers were excellent designers as well as craftsmen, and their work is cherished for its exceptional proportion and line. Continuing that tradition requires seeing through their eye and understanding their sense of design. Greene isn’t interested in making adaptations or wild variations of their original designs. 

Achieving the presence of a great original can be achieved only by strict attention to craftsmanship and authenticity. Jeffrey Greene’s body of work is extensive, and in this era of mass production, it’s difficult for many people to believe this level of handcraftsmanship continues. Whether driven by a devotion to craft or a reverence for great furniture, his purpose is to keep alive Newport’s very bright place in the history of American decorative arts.

photos (from top)

1. Jeffrey Greene carving open the talons on a Goddard open-talon ball and claw foot

2. Goddard ball and claw foot, rough carved to shape. The foot, in its final form, requires a full day to carve.

3. Beginning the carving for a center concave shell for the lid of a John Townsend block-front desk.

4. The carved shell showing the center palmette and incised volutes. The lid of this desk, with three Townsend shells, requires over a full week to build and carve.

5. Dovetail pins cut in the drawer front of a Goddard block-front desk.

6. The assembled drawer showing the side and front with the drawer bottom let into a slot in the drawer front in the Newport manner.